Sunday, August 2, 2026

Sunday Blog post

 


On Monday and Tuesday, I took my son to his pickleball practices. It has been fun watching him stay active and learn something new. Having those mornings together gave our week a nice rhythm.

Wednesday turned into an unexpected day where we didn’t have any morning activities so stayed in, caught up with each other, cleaned house. He really knows how to declutter the kitchen😀Then we went Half Price books to pick up the BlueLock manga series that we had ordered to the store.And we rode our bicycles around an icecream shop.

On Thursday, my son started soccer. It was exciting to see him begin another activity, and I enjoyed watching him take on a new challenge.

I also started doodling from a popular Moomin coloring book with Derwent Watercolors and some sparkly pens I got from Five BelowThis really helped me get out of my head a bit.




Saturday was one of those days that packed in a lot of good memories. Earlier in the day, I went to my niece's graduation party at my brother's house. We spent time on the back patio eating barbecue chicken and catching up with family.

Later that day, my son and I met his friends  at Lake Nokomis. We sat by the lake while he swam. I read my book, watched the sailboats go by, and watched kids jumping into the water. We stayed for a while and enjoyed the warm weather. With about a month of summer left in Minnesota, it felt like a good day to be outside

That was my week,how was yours? Let me know in the comments below.

Wednesday, July 29, 2026

Therapist Zero: A Conversation with Brian Leonard



As part of this year's Minnesota Fringe Festival, Therapist Zero explores family, mental health, parenting, and the stories we inherit—with equal parts humor and heart.

I recently spoke with writer and performer Brian Leonard about how Therapist Zero evolved from funny stories about his childhood into something much deeper: a show about parenting, resilience, and the imperfect ways we love the people closest to us.

Q: Therapist Zero began with stories from your own childhood. At what point did you realize this was becoming a different kind of show?

Brian Leonard:
When I first started writing the show, it was really about my childhood. Like a lot of people, I grew up in a dysfunctional family and I found myself gravitating toward the more outrageous and funny stories. As my daughter likes to remind me, "I hate stories about your childhood. They never end well."

As I kept writing, I noticed the contrast between the way my parents raised us and the way my wife and I were trying to raise our daughter. We were dealing with severe mental health challenges, cycling through therapist after therapist, and trying to navigate a system that often seemed as confused as we were. Gradually, those stories started to take over.

The show stopped being a collection of funny childhood stories and became something larger: a story about what we inherit from our parents, what we try to do differently, and how imperfectly we all love the people closest to us.

I never wanted this to be confessional theatre or some flavor of drama therapy (Lord knows, I've had enough therapy). It's deeply personal, but the goal was always to tell a story that audiences could see themselves in. Whether they're parents, children, or simply part of a family, people recognize pieces of their own lives in the story. That's when I realized that it wasn't just our story anymore.

Q: You share some deeply personal moments in this show. Was there anything you almost didn't include because it felt too private? What made you decide to keep it in?

Brian Leonard:
When I first started to explore sharing stories about my daughter, I flat out asked her what she thought about that. She considered it for about twenty or thirty seconds and said, "Yeah, that's okay."

When I finished the first draft, I printed it out, handed her a copy with a red Sharpie and told her that I was going to perform it for her. If there was a word, a sentence, or a page that she didn't like or was uncomfortable with, she could draw a line through it. No explanations. No justifications. If she marked it, it was cut.

I performed it for her and at the end she was crying; it was very difficult to hear these moments played back to her. She handed me the script and told me I shouldn't change a word.

She's a very private person, so the fact that I'm able to tell any of this is kind of remarkable. As the script evolved, I continued to check in with her. Sometimes she'd ask me to remove a story or change a detail. Other times she'd suggest a better way to phrase something. Eventually she even started rewriting some of the jokes. I said, "Okay, that's fine, leave the jokes to Dad."

Q: The show reflects on your own childhood and how it shaped the parent you became. Was there a moment while writing or performing it when you realized something about yourself that you hadn't fully understood before?

Brian Leonard:
Yeah, there was a moment during family therapy that shifted the way I thought about my own childhood. I realized that the things I didn't receive as a kid—emotional support, attention, patience, and so on—had made me acutely aware of how much my daughter needed all of those things from me.

I told the therapist, "All the things I'm not, made me all the things I am."

Emily shot me a stink-eye and said, "Did you just quote Kanye? You wonder why we're in family therapy, when Kanye is your spiritual advisor?"

I had to remind her, "Yeezy. I think he wants to be called Yeezy. Or Ye."

That's our family in a nutshell. Even the deepest moments eventually end with somebody getting roasted.

Q: This show seems to ask, What do you do when nothing you've tried is working? Did creating Therapist Zero change how you think about failure, parenting, or even hope?

Brian Leonard:
I don't think the show changed how I parented as much as it helped me understand that parenting isn't about finding the perfect answer, it's about continuing to show up when there isn't one.

Hope is not a strategy. But believing your presence still matters is. Even when you don't know what to do next. That's a much more durable kind of hope.

Q: After audiences see Therapist Zero, what do you hope they're talking about on the drive home? What's the conversation you hope the show starts?

Brian Leonard:
I've heard from a lot of parents who've shared that they thought they were the only ones going through what they are. The circumstances may be different, but the frustration is the same. The sense of helplessness rings familiar.

If the show gives someone permission to have a conversation they've been avoiding, or to see a parent, child, or even themselves with a little more compassion, then I'll take that as a win.

The goal of the show is to entertain, and if people argue over whether we really needed twenty-eight therapists, that's okay too.

About Brian Leonard

Brian Leonard is a writer, performer, and storyteller whose career spans stand-up comedy, television, theater, and animation. A veteran of the stand-up circuit, he has appeared on numerous television comedy programs and has written for performers including Ellen DeGeneres, Jason Sudeikis, and Mindy Kaling. He has also served as a story consultant for Pixar Animation.

His work has earned recognition from the Chicago International Film Festival and the Webby Awards. Therapist Zero is his first solo stage show.


Sunday, July 26, 2026

Sunday Blog Post






improv at “The Others Collective”


my friend Reese” Stand up show

looking at books at Barnes and Noble

 This past week felt like a collection of moments where different parts of my life connected—my past, my creativity, my community, and the stories that continue to shape me.


Last Saturday, I took my son to a gathering at a friend's house. One of the unexpected highlights of the day was reconnecting with a woman I had known in my early twenties. I had met her oldest daughter when she was just a baby, and we had since lost touch. I realized that our sons have become friends, and we now cross paths at the same gatherings. As we caught up, we talked about the different directions our lives had taken since we last knew each other. I shared how much my life had changed, especially my spiritual journey. She smiled and said, "Of course our lives can take different paths."

On Monday, I performed musical improv with my troupe Waxy Conedy at a jam at The Other's Workshop Collective in Minneapolis. This was our team’s second time performing musical improv, and everyone did a great job. 🎭🎶 It was exciting to see how much we’ve grown and how the group continues to build confidence together. During one of the scenes, I was able to make a callback to an earlier moment in the performance, and hearing the audience respond reminded me why I enjoy live improv.


Exciting show to be held at The Fringe Festival 2026






Later in the week, I continued building those creative connections through improv rehearsal. We welcomed a new member to the group, explored new scene ideas together, and our instrumentalist joined us on keyboard, adding another layer of creativity to the rehearsal. It was exciting to see new ideas begin to take shape as we worked together.

This week included reconnecting with someone from my past, performing with my improv team, and returning to stories I enjoyed years ago. I’d love to hear about the moments that shaped your week as well.



A Woman’s Place is in the House” by David Alan Berger playing at the Minnesota Fringe Festival

Sunday, July 12, 2026

Sunday blog post

 Wednesday, I took my son to Highland indoor pool. I expected it to be a normal afternoon of swimming, but instead I found myself overhearing a conversation that stayed with me long after we left.

The conversation was between foster parents who were talking about the foster children who were also at the pool. Thankfully, the kids were not present during the conversation, but I was honestly taken aback by what I was hearing. Having spent many years in the foster care system myself, I have seen firsthand how much toxicity can exist in situations where children are already vulnerable. Hearing these children being described mostly through their behaviors and defense mechanisms was difficult because I know there is usually so much more happening beneath the surface.

It was hard for me not to feel protective of these kids. I know that behaviors often come from somewhere, and behind every child is a story that most people never see. At the same time, I also reminded myself that I was only hearing one small piece of a much larger story.

Thankfully, this week has also had plenty of positive moments. 😊

I recently started a new job, so a lot of my time has been spent learning the ropes and figuring out a new routine. It’s always a strange adjustment period being the new person, but I’m slowly getting there.

On Monday, my son and I went to his swimming lesson, only to discover that open swim matter his short lesson was closed. Instead of giving up, we went to another YMCA nearby and made the best of the situation. . 🏊

We’ve also been continuing rehearsals with Waxy Comedy as we prepare for upcoming performances and I plan to go to the Fringe Festival in August. There is something exciting about watching ideas come together through theater—the unexpected moments are often the best ones. 🎭

Also I’ve been having a hard time posting pics on blogger even copying and pasting from my iPhone seems difficult so if anyone has tips let me know.

Saturday, June 27, 2026

Sunday Blog post

 

Weekly Recap

This week was filled with family adventures, improv, and a few preparations for the week ahead.

One of the highlights was taking my son to Cascade Bay Waterpark on Thursday. We had a wonderful time floating together down the lazy river 🏊‍♀️🌊. On Friday, we headed to another pool for even more summer fun. Earlier in the week, we also discovered a pickup soccer group for my son through the OpenSports app, which has been a great way to keep him active and meeting other kids ⚽️🥅.

On the creative side, I continued exploring improv in several different ways. I attended a character-focused workshop at the Gamezenter 🎭🎲, where we practiced creating and sustaining characters on stage. I also participated in an online Meisner improv exercise for the first time and really enjoyed it. One thing I love about online improv is that it gives me the flexibility to participate while driving rideshare or traveling between activities.

I've also been making plans for upcoming musical improv rehearsals with a friend, which I'm looking forward to. Today, I'll be heading to Root Lab, an intimate music venue that hosts indie bands in a garage setting 🎵🎸.

Outside of performing, I spent some time researching a new iPad for my son, since his current device is running low on storage. He's getting increasingly excited about the possibility of an upgrade. I also managed to pick up a few treasures at the thrift store and brought home the next book in the Millennium series, The Girl Who Played with Fire. I'm hoping to make some time for reading in the coming weeks.

Overall, it was a full week of creativity, family time, and summer adventures.

Sunday, June 21, 2026

Sunday Blog post

 This past week felt a bit like a roller coaster. My energy levels seemed to swing back and forth between excitement and exhaustion, but there were still plenty of bright moments along the way.



Last Saturday turned into a busy day, we headed to the Father Hennepin Festival carnival in Champlain. The weather was absolutely beautiful, which made the experience even better. We brought our bicycles along, which turned out to be a great decision because it made it much easier to get around the festival grounds and move quickly from one area to 

last Sunday, my son and I drove to a hotel in ostego, minnesota and spent some time swimming in their lazy river. It was a nice way to wrap up the weekend and enjoy some time together before the week began.

Wednesday turned into a busy day. After work, we headed to the Father Hennepin Festival carnival. The weather was absolutely beautiful, which made the experience even better. We brought our bicycles along, which turned out to be a great decision because it made it much easier to get around the festival grounds and move quickly from one area to another.

Most of the evening was spent letting my son go on rides, including the Scrambler, which quickly became one of his favorites.

After the carnival, we stopped by Sky Zone so my son could burn off even more energy. By the end of the day, we were both ready to head home.

Thursday was another workday, but it also included an unexpected visit with an old friend. She happened to be only ten minutes away at a soccer field while three of her children were participating in soccer tournaments, so we met up and spent some time catching up. It felt just like old times, and it was nice to reconnect.

Friday was another workday, and by the time the weekend arrived, I was ready for some quieter time.

On Saturday, my son left for a camping trip with friends. Originally, they had planned to stay at a particular campsite, but after discovering that many people were using the area as transitional housing, they decided to stay at a different campground that offered more amenities, including bathrooms, showers, and a fire pit.

With my son away, I suddenly found myself with something I haven't had much of lately: uninterrupted time. I spent much of Saturday researching books and trying to rediscover my reading life.

I sampled several titles that only halfway captured my interest. I picked up a novel by Ken Follett, and I also started a Matt Haig novel that immediately pulled me in. On the other hand, I attempted Kate Morton's Homecoming but struggled to connect with it and eventually set it aside.

Overall, it was a week filled with work, family activities, reconnecting with friends, and a renewed interest in reading.

Monday, June 15, 2026

Forgiveness in the Front Seat: A Rideshare Story

 

The ride began with a conversation that should have shocked me more than it did.

My passenger spoke openly about his criminal history. Not one offense. Not two. By his own count, dozens. He discussed them with a matter-of-factness that was almost disorienting. There was no dramatic confession. No visible burden. No sense that he was carrying the weight of every decision he had ever made.

As he casually recounted mistakes that could fill pages, I found myself thinking about the comparatively minor moments that have occupied my own mind for years. Not crimes. Not felonies. Just ordinary human mistakes that somehow refuse to leave. The contrast was impossible to ignore.

As he spoke, I noticed something else: I was reacting to his story in a way that he didn't seem to be reacting to his own.

For most of my life, I've been a reader. Not casually, but obsessively. I've read well over 200 novels, perhaps many more. I've spent thousands of hours inhabiting the minds of fictional characters, following their mistakes, understanding their motives, and witnessing the ripple effects of their decisions. Through books, I've lived hundreds of lives that weren't my own.

Maybe that's why this conversation unsettled me.

While my passenger spoke about his past with remarkable ease, I found myself thinking about the strange burden of awareness. Some people seem capable of moving through life without examining every decision they've ever made. Others replay a single mistake for years, dissecting it from every possible angle.

I have always belonged to the second group.

Before I picked him up, the rideshare app displayed a notice instructing drivers not to deviate from the destination entered into the system. There could have been many explanations for that. Some medical transportation programs require direct routes. Certain court-ordered arrangements can restrict where a person is allowed to travel. The truth wasn't mine to know, and I never asked.

What interested me was not the reason itself but what it represented: a life shaped by systems, appointments, supervision, treatment programs, and interventions.

At one point, he shifted in his seat like he was deciding how much to say next.

"I broke my ankle a while back," he said.

I glanced over. "Yeah?"

He nodded. "Walked on it for about a year."

"A year?" I said, before I could stop myself.

He gave a small shrug, like it wasn't something he expected me to understand.

Then he explained how everything had unfolded in pieces. The ankle injury. The delay in treatment. Pain medication that he had been prescribed while waiting for surgery. The way things slowly got worse instead of better. At some point, he mentioned a wound on his leg—he didn't linger on the exact word for it, and I didn't press—but he described it as something that had spread over time.

I remember looking at the road and listening, trying not to fill in too many gaps with my own assumptions.

As rideshare drivers, we end up hearing fragments of people's lives like this. Not the full story, just the parts that come out between directions and traffic lights.

As we drove, he talked about the small farming community he came from, somewhere near Eau Claire, Wisconsin.

According to him, there wasn't much there. Few resources. Few opportunities. Few places to go. Few things to do.

The way he described it, it sounded like the kind of place where everybody knows everybody. The kind of place where life follows familiar patterns because there aren't a lot of other options around.

Then he told me something that stayed with me long after the ride ended.

He said his state had very few treatment centers available. One to three, he estimated. He was surprised by Minnesota. Here, treatment facilities seemed plentiful. Here, there were options. Here, people could find help without traveling extraordinary distances. Here, at least from his perspective, there seemed to be less judgment about the fact that someone might need treatment to recover. Here, asking for help appeared to carry less stigma. Here, recovery felt possible.

As rideshare drivers, we witness a quiet migration that rarely becomes part of public conversation. We pick up people who travel hundreds of miles seeking addiction treatment, mental health services, specialized care, and recovery programs. They come from places where those resources simply don't exist in sufficient numbers.

I'm not saying his hometown is the reason he made the choices he did. Life is more complicated than that.

Still, I kept thinking about what he said. If you grow up in a place with very few opportunities, very few resources, and very few examples of different ways to live, how do you know what else is possible?

Maybe you figure it out on your own.

Maybe someone shows you.

Or maybe you just keep doing what everyone around you is doing because it's the only life you've ever seen.

I don't know if that's what happened to him, but I couldn't stop thinking about it.

And then there was the other question.

How can one person carry dozens of serious offenses with apparent ease while another struggles to forgive themselves for a single mistake?

Part of me wonders whether empathy itself becomes a burden.

After reading hundreds of novels and spending years inhabiting other people's stories, I've become accustomed to looking at situations from multiple perspectives. Every novel asks us to understand someone's choices. Every memoir invites us into another person's struggles. Over time, you start seeing how complicated people really are.

Eventually, some of us become so good at examining other people that we turn that same scrutiny on ourselves.

We replay conversations.

We rethink decisions.

We imagine all the things we should have said differently.

We hold ourselves to standards that we would never impose on a stranger.

Through hundreds of novels, I learned how to understand people.

What I never learned was how to extend that same understanding to myself.

Perhaps that's why the conversation stayed with me.

Not because of the crimes he described.

Not because of the treatment centers.

Not because of the mystery surrounding the warning message attached to the ride.

The conversation stayed with me because it exposed a contradiction I've seen in many people, including myself.

Some people seem unable to forgive themselves for anything.

Others appear able to forgive themselves for almost everything.

Most of us live somewhere in between, carrying old decisions around with us and occasionally pulling them out to examine them one more time.

The passenger never offered a grand lesson. He never asked for sympathy. He never tried to justify his past.

He simply told his story.

And in doing so, he left me with a question I still can't answer:

If understanding other people is supposed to make us more compassionate, why is it often so difficult to show that same compassion to ourselves?

Thursday, June 11, 2026

Dentist Day Drift:a story

 The playlist was bothering her. Not in a dramatic way, but in the way that small things bother people who spend their days paying attention to details. I had recently read that some dentists prefer having their playlists organized in a specific order before they begin work, as a way of settling into the day.

One song from the 1980s would play, followed by something current, then another song from an entirely different era. She laughed and called it a wonky playlist.

I was sitting in the dental chair when the conversation drifted toward music. I mentioned that the Michael Jackson movie was coming out and that, for some reason, Michael Jackson had been on my mind lately even though I had no plans to see the film.

What fascinated me wasn't the movie. It was the discipline.

"I liked hearing about his dance rehearsals because I'm involved in dance myself, and I know that it is very beneficial to your health to have such an intense routine."

The dentist nodded.

"I used to be on the dance line in high school," she said.

As we continued talking about dance, she mentioned that her mother had also been involved with a dance line, though not the one she belonged to. Her mother helped coach another group that focused on hip-hop. Watching them perform left a lasting impression on her.

She laughed at the memory.

"There was no way I could do hip-hop. I don't know how their bodies can move like that."

I understood exactly what she meant.

"Yeah," I said. "We were supposed to be a dance team and do kicks, but somehow we only ended up doing hip-hop."

What struck me about the conversation was how quickly it moved from music to dance and then to family. I found myself curious about her mother and the path that had led her daughter to become a dentist.

I asked what her mother had done for a living.

She told me her mother had been a stay-at-home mom raising five children. Later, when the dentist was in undergraduate school, her mother returned to work as a paraprofessional in California and eventually taught virtual classes.

That detail stayed with me.

There seemed to be a connection between those two roles. A woman who spent years helping children learn and grow had raised a daughter who chose a profession centered on helping people in a different way. One worked in education. The other worked in healthcare. Both required patience, communication, and a desire to guide people through situations they could not always navigate alone.

By then, the playlist had long since moved on to another song from another decade.

What began as a passing comment about music had become a conversation about discipline, dance, family, and the subtle influence parents have on the lives of their children.

Sometimes you go to the dentist expecting a routine appointment.

Sometimes you leave thinking about Michael Jackson, hip-hop dancers, and the mothers whose quiet examples continue to shape the people their children become.

Sunday, June 7, 2026

Sunday blog post

This week was busy with school activities, swimming, improv, and summer planning.


Last Wednesday, my sons school, Randolph Elementary held its school picnic 🌳. They had several food trucks on site 🚚🍔🌮 along with activities for students and families.it’s interesting to see think about the contrast between the school that I went to as a kid and his because we never had quite so many kids bike to school, even though that was the thing to do back then —like these kids do at my son’s school.

And back in the day our school never had nearly enough money to bring in food trucks !

With the school year coming to a close, we've also been getting ready for some of the end-of-year events. We gathered supplies for Fort Day ⛺ and packed some games for Board Game Day 🎲. One of my favorite board games is Guess Who?

Randolph Elementary (St Paul) offers a lot of opportunities for students. My son has participated in after-school programs, school events, and activities with friends throughout the year.

On Thursday, I took my son swimming at the YMCA 🏊‍♂️.

On Friday, we attended a birthday party at the rec center 🎂🎉. One of the activities involved throwing ping-pong balls into cups 🏓🥤, and there were lots of kids running around and having fun. Watching them interact made me wonder what they'll be like when they're all in college someday 😏.

I also met with some of the performers from Waxy Comedy 🎭🎹 at a friend's house for rehearsal. Waxy Comedy is the troupe that I lead, and we're getting ready for our upcoming performance at Improvocation on June 10 at Phoenix Theatre. We spent time rehearsing musical improv and discussing upcoming summer events for the group.

, it was a full week with school activities, swimming, a birthday party, improv rehearsal, and preparations for summer. ☀️

Wednesday, June 3, 2026

The Art of Listening in Motion:a rideshare story

 


The Art of Listening in Motion

Recently I found myself thinking about improv theatre while driving.

Not because I was on stage. But because every ride feels like a scene that has already started before I step into it.

Two passengers got into my car recently and said, almost casually, that they were musicians.

One of them said he was a composer. The other said he was a producer.

That alone could be a premise in an improv class: two musicians with different creative languages meet in a confined space and talk about identity, travel, and meaning.

One was from Sweden, the other from Philadelphia. They connected through Sweden immediately. Not just the place itself, but the idea of it—how small countries have tightly woven cultural ecosystems where music, TV, and comedy circulate quickly. One person knows someone who knows someone.

It reminded me of Minnesota in a strange way. The same quiet rule: you don’t just walk into people’s homes. You have to be known first.

That’s already a kind of social script. Not written, but deeply understood.

We drifted into music, comedy, favorite comedians, and people they’d met. One of them told a story about being in Central Park and meeting a comedian carrying soccer gear.

And I realized: this is improv too. Not on a stage, but in real time. People entering and exiting each other’s stories without rehearsal.

They were in town looking for a Best Buy, trying to find a specific cable for a keyboard. Something they couldn’t get shipped. A practical need pulling them through the city.

At one point I almost went with them, because I was also thinking about cables, connectors, small technical problems that feel oddly urgent in the moment.

That’s another thing about improv: you say yes to the reality in front of you, even if you don’t fully understand it yet.

But the deeper layer wasn’t the cable. It was the way the conversation kept forming invisible connections. I found myself trying to link people together—Sweden, a friend I know there, this passenger’s story, cultural overlap, coincidence. Like my mind was constantly building a web of possible intersections.

I think that’s what I’m really doing in these moments. Not just listening, but mapping relationships between people who will never meet again.

Earlier that day I had done an interview I felt good about. Later, I told passengers about it, and they asked how it went. There was something grounding about that—these brief strangers holding fragments of my day like it mattered.

Another ride took me through downtown Minneapolis with a woman trying to find an address among buildings that all looked the same. GPS looping. Phones confirming nothing. We circled back to where we started.

It felt like another kind of scene: repetition, confusion, search for orientation.

In the middle of it she talked about advocating for herself. Then admitted that she struggles with it too. Her twin, she said, is the one who can navigate the city easily.

There was something honest in the way she said it, like she was describing not just navigation, but confidence.

She also talked about her dogs—Chihuahuas she has to carry in a stroller because they refuse to walk.

At some point I called it a “mothering instinct.” She corrected me, gently, but the word stayed in the air anyway, like a line that reveals more than it means to.

That’s the thing about these rides. People reveal themselves in small, unplanned ways. Not in speeches, but in fragments. A story about a dog stroller. A joke about being lost. A casual mention of a twin who is better at life in some invisible way.

And I realize now that improv isn’t just about speaking without a script.

It’s about noticing what people are already saying when they think they’re just talking.

The heart of every scene is already there. You don’t create it—you listen for it.

And sometimes, driving through a city full of strangers, I think that might be the only real skill I’m practicing.

Not performing.

But staying present long enough to hear what the moment is actually trying to say.

Friday, May 15, 2026

The Price of Being in a Room:A rideshare story

 


Vision is a strange thing.

You don’t always realize what you’re seeing clearly and what you’re not until someone points it out.

That’s how the conversation started.

My rideshare client shared that she had just had cataract surgery and that one of her eyes still seemed like it was changing. The doctor said she might still need glasses.

At first, when they told her she had cataracts, her reaction was, “Oh no, I’m too young for cataracts.” “My dad had them.”

Then she started describing the surgery.

“They make a slit in your eyeball.”

“Oh my God.”

She laughs lightly.

“Don’t think about it. The procedure is very fast.”

Like that fixes it.

Then she mentioned that cataracts can come from something as simple as steroid use over time.

That lands.

I tell her I recently had a steroid injection in my neck, and I’ve had several orthopedic injections in my knee. My mind is already going—like maybe I need to slow down with that.

She says, “Yeah, I’ve had my share of things too.”

Then she says after her procedure, she had a chauffeur.

Then she asks me what I do.

And for some reason, I say:

“Yeah, I just go downstairs and usually the nurse is following me, and then when they exit, they keep reminding me about my chauffeur… and then I just start running away.”

There’s a pause.

“So you don’t meet anyone in the parking lot?”

“No.”

“So you basically drive yourself home?”

“Yes.”

And that’s when it hits me.

I am currently driving her.

Her life is in my hands.

So I backtrack.

“I’m sorry, I didn’t mean to make you uncomfortable.”

“Oh no,” she says. “That’s fine.”

Which is what people say when they’re being polite.

I try to explain it.

“It’s just that I’m a single mom. I don’t really have that kind of support system.”

She understands.

Then the conversation shifts.

Not away—just sideways.

I tell her about a friend of mine who built schools in Africa. I met her through a writers group, one of those spaces where you don’t have to pay your way in, you just show up and write.

That connection led me into a completely different world.

The first time I visited her house, there was a pool in the basement. And she ordered DoorDash every day.

It’s one of those moments where you don’t immediately label it as wealth—you just realize you’re in a different version of normal.

She laughs when I say that. She gets it.

She tells me she’s had similar experiences—meeting people who live on completely different financial levels than she does.

Then she tells me about college.

“I had a roommate,” she says, “and she was cleaning the toilet with Windex. And she goes, ‘Am I doing this right? I’ve never cleaned a toilet before.’”

She laughs, but she’s impressed.

“She wasn’t used to it. But she was willing to learn.”

That sticks.

Not where someone comes from—but how they move when they’re somewhere new.

Before she gets out, she tells me she used to be a teacher.

“I can organize things,” she says. “Lesson plans, structure… but entrepreneurship? That feels like something other people do.”

I think about that for a second.

The “other people” line.

Then she asks me about writing. About comedy.

And when I tell her, she pauses.

“You remind me of Melissa Villaseñor,” she says. “You should follow her. The way you talk about it—it’s similar.”

I laugh a little because it catches me off guard.

Most of the time when I mention writing or comedy, it doesn’t land anywhere. It just passes through the conversation.

But this time it does.

Not as validation.

More like recognition.

She thanks me, gets out of the car, and closes the door.

And I sit there for a moment before driving off.

Thinking about how often people are moving through class without saying it out loud.

Not in big dramatic ways.

Just in small adjustments.

What you assume you can say yes to.

What you quietly calculate before you say no.

What you think you’re “supposed” to understand in a room.

And I realize the conversation in the car wasn’t really about cataracts or surgery or even health.

It was two women trying to figure out where they stand in the worlds they keep walking into.

One of us talking about school invitations and indoor parks and trying not to overthink the price of things.

The other talking about fundraisers where everything from fifty dollars to twenty thousand exists in the same room.

Both of us recognizing the same thing in different language.

That class isn’t something you declare.

It’s something you navigate.

Every day.

Sometimes while you’re driving.

Sunday, May 3, 2026

Sunday blog post

It was a week of rideshare driving, time at the indoor park (including a brief, slightly terrifying zipline moment), the Cinco de Mayo parade in Saint Paul right in my backyard, and seeing The Wizard of Oz

Cinco De Mayo parade 



Monday and Tuesday I drove rideshare and picked up several interesting people, including two IRS employees who were on the phone going back and forth with clients. Not arguing exactly, more like intense agreements. Very direct, very confident. Honestly a little intimidating, and it made me think about my own voice and how I sound in situations like that.

Midweek I went out and got materials for my son’s bicycle so he can ride better and more comfortably.

Random pic of Minnetonka treatment center .love Minnestonka (minnesota beautiful city)


Pics from moving around this week while driving UBER


My son zulfi petting Toto

A rainbow of post-it @childrens theater  kids things like “what is one fear you tackled?”

The view from my building in Spring


I also drove rideshare a few more times during the week—just being out there, listening, observing, having small moments with people.

Friday and Saturday we went to the indoor park, just letting him play and move around.I got harnessed for the indoor zipline,honestly it was scary and I kept meeting up with a little girl who kept zipping around me ,luckily I’m 4”6 or I don’t know how I’d do it. 

On Saturday,the parade was busy and fun as well living so close makes it for encompassing.

Last Saturday we went to see The Wizard of Oz with the children’s theater .

That was the week. Just a series of things that happened,some small and some very memorable grateful for momentum..

Saturday, May 2, 2026

Uber Stories — April 15: My Neighbor, His Uncle, and What Gratitude Sounds Like

 I picked up a passenger while driving rideshare, and he turned out to be from my building since I was parked outside waiting for a ride.

We ended up talking about his uncle a lot. He said his uncle does a little bit of everything, wearing a lot of hats, working in real estate down in California, doing some TV reporting on the side, and juggling other gigs. It wasn’t just a job description—it came out like he was trying to map a whole personality through work, like that’s how you explain who someone is.

He said his uncle has kind of been a big influence on him. At one point, he kind of skimmed over it, like, “yeah, we were in shelters and different homes for a while.” He didn’t sit in it, just stated it and kept going, like it was something that already belonged in the past tense.

And he kept coming back to that idea. He even said he wrote his college essay at Saint Paul Tech about his uncle and how proud he was of him, and how grateful he is that college gave him the opportunity to put that into words and really reflect on it.

Now his uncle is doing well, even supporting him through college. And he kept coming back to that idea—how aware he is of it, how he doesn’t want to take that opportunity lightly or use it in the wrong way. It wasn’t performative, it was more like he was reminding himself out loud. Like gratitude as a way of staying oriented.

He also made a comment about how a lot of people my age tend to take things for granted, like they’re owed something. He said, “kids these days just think things are supposed to be handed to them,” and the way he said it wasn’t angry exactly, more like he’d noticed a pattern and decided it was true. Like there’s less appreciation for what people had to go through to get there.

And I told him, I used to have a millionaire friend too, but we’re not friends anymore. It’s something about them—these millionaires are just very direct, like they’ve lived in that world so long they act like they can tell anyone what to do, and nobody really questions it.

And he nodded at that, like he recognized it immediately, and said his uncle was the same way—just used to having that kind of control and presence in situations, like confidence had become a default setting rather than something they turned on

Tsunami:a rideshare story

 I picked up my Uber passenger near Lake Minnetonka, the kind of place where the houses sit so close to the water it almost feels like you’re on an island.

Right before I picked her up, I had been driving another passenger around this same lake.

Looking out at the water, pointing at houses, imagining a different life.

“Yeah, I’d live there.”
“Oh that one? I’d be down by the water every single day.”
“I’d get a dog just so I could walk it along the shore.”
“I’d have a boat. Not even for anything important—just vibes.”

And then, out of nowhere, they said:

“My worst nightmare is getting hit by a tsunami. Like imagine if one of those buildings fell and just—boom—wave comes right at you.”

I laughed at the time. It sounded dramatic. Almost like a movie.

But the image stayed with me.


My next client got in.

She told me she was originally from Japan, living in Minnesota now.

We started talking about why she moved.

“I came here for work,” she said.

“And you like it?” I asked.

“Yeah,” she said. “My favorite part is the four seasons.”

I laughed a little.

“Really? Why would anyone want to live in Minnesota?”

She smiled. “Why?”

“Because of the weather,” I said. “It’s cold like six months out of the year. I’ve lived here my whole life—I’m kind of over it.”

She laughed at that, like she understood both sides of it.


We were driving along the water again, the same stretch, the same houses.

So I brought it up.

“You know, right before I picked you up, someone was talking about tsunamis,” I said.
“They were saying like, what if one of these buildings fell into the water and caused a wave.”

She paused.

“That’s strange,” she said.
“I actually had a dream about a tsunami recently. Back in Japan.”

I caught her eyes in the rearview mirror.

She nodded.

“Yeah. It felt very real.”

Then she let out a small, almost surprised laugh.

“And now you’re telling me someone was talking about that today…”

“I know,” I said. “They were pretty convinced it could happen here.”

That’s when she shook her head, more certain this time.

“No,” she said.
“That wouldn’t happen.”

“That wouldn’t?”

She smiled slightly.

“No. I used to live in Japan. A building falling into a river wouldn’t cause a tsunami.”

She wasn’t dismissive. Just… sure.

Then she looked back out at the water.

“My parents live on a hill in Japan,” she said.
“So they’re safe.”

A pause.

“…but if something bigger came… higher than expected…”

She didn’t finish the sentence.

She didn’t have to.


It made me think about how the passenger I had just dropped off had been sitting in this same seat, looking out at this same water, talking about their fear of a tsunami—and now she was responding to it without even knowing that conversation had already happened. They were almost talking to each other through me. I like moments like that, when one ride carries into the next and people end up connected without realizing it.

Wednesday, April 29, 2026

Two IRS Employees and a Downtown Pickup, Skyscrapers Overhead, Froot Loops Underfoot

 Two IRS Employees and a Downtown Pickup, Skyscrapers Overhead, Froot Loops Underfoot




I picked them up downtown—two IRS tax employees in suits, both carrying satchels and luggage that made them look like they were already inside a very structured kind of day. I pulled over near a safe spot by a busy intersection, tall buildings around us, skyscrapers. 

The guy immediately introduced himself, like he was setting the tone, maybe trying to get a sense of who I was and whether I was capable of getting him through downtown.

He told me he was in a slew of meetings (a slew of meetings), and I clocked that phrase right away.

My car had Froot Loops on the floor, which I noticed a second too late. That detail just sat there quietly in my mind while they got in.

They were very composed. Unfazed. That’s the word. Like nothing about traffic, detours, or timing was really going to touch them emotionally, they were just adjusting variables in a system.

I took the “slew of meetings” as a sign he might want to talk, like we were about to have some kind of driver-passenger conversation to pass the time.

But then I realized he wasn’t really talking to me.

He was on the phone with someone else.

On the ride, one of them was on a high-intensity phone call about real estate. It kept circling this pressure point, whether to move forward on a deal or switch to another lawyer who would cost them a $300 conversation just to keep things moving.

At some point, I told them I did improv comedy.

I asked if they liked comedy, like I was trying to justify the pivot in real time. I think they said yes, or at least enough to keep the conversation from dying immediately, and I leaned into it, talking about improv, how it helps me think on my feet, read situations, not freeze up.

They asked where I perform, and I could tell they were halfway curious, halfway just being polite, but I kept going anyway.

And then I made a joke about my own IRS situation, something about how I had recently dealt with it through University of Minnesota tax lawyers. And even as I said it, I had that split-second internal pause like, why did I just say that, especially to IRS employees sitting directly behind me.

It was one of those moments where your mouth is already ahead of your judgment.

We got onto I-94 West, and then there was a detour. I hesitated. I couldn’t immediately find my way back onto the interstate, and suddenly I was the one unsure.

And somehow, they weren’t.

They stayed calm the entire time. Unfazed again. Just adjusting to the delay, measuring everything in minutes rather than emotion.

And then they were the ones guiding me back, this strange reversal where two out-of-state passengers were helping me navigate a city I was supposed to be driving them through.

Two IRS employees in suits, me talking about improv and laughing a little too fast at my own thoughts, all of us trying to get somewhere different but sharing the same moving box of time for twenty minutes.

And underneath all of it, I realized this is what I do, I talk my way through uncertainty. I reach for comedy when I’m not sure how I’m landing. Even when it’s messy or slightly awkward, it’s how I stay in motion

Monday, April 27, 2026

Ride share story #100

 Today I picked up a passenger and we started talking about what counts as high-adrenaline—what people actually do versus what they imagine doing. He mentioned that at his warehouse job, a lot of workers can’t even go up on the high scaffolding, not because they don’t want to work, but because they’re too fearful.

That stuck with me.

So I asked him, what’s the most high-adrenaline thing he would do?

He said, “Roller coasters.”

I laughed inside. Nothing is more funny than seeing adults say they’re fearful of roller coasters, as if that’s the only thing they could come up with at this point in life.

Not skydiving. Not anything extreme. Just roller coasters.

He laughed and said, “I have to be pushed out of a plane to skydive,” like no one really chooses that in a normal moment.

And that opened the door to a story I probably didn’t think through before telling.

I told him about an earlier passenger I’d had—a woman who had been in the army. She told me about people she served with who had to jump out of a helicopter during a mission. One of them… their parachute didn’t open.

She died.

I kind of regretted saying that in that moment, so I said, “I’m sorry—I didn’t mean to scare you.”

But he just shrugged it off. Said he wasn’t planning on jumping out of a plane anytime soon anyway.

Then he started talking about his dad.

His dad had been in a war too. He was on an aircraft that went down, and afterward, he had to pull his fellow soldiers out—people with broken legs, broken limbs. Real, physical damage.

And somehow, his dad talked about it like it was just something that happened. Like it was survivable. Like it was… handled.

But then he said something that lingered.

That a lot of the people who came back from war weren’t really okay.

After I dropped him off, the car got quiet again.
That kind of quiet doesn’t last long in this job.

My next passenger got in, and the tone shifted almost immediately. We started talking about school—specifically women trying to get into med school. She was weighing her options, thinking about what it would take, where she could go.

And without really planning to, I found myself giving advice. Talking about alternative paths, even mentioning places like the Cayman Islands, how people find their way into careers through routes that aren’t always the obvious ones.

It was such a different kind of risk.

Not jumping out of planes.
Not pulling people out of wreckage.

Just… choosing a path and hoping it works.

And then there’s this other part of the job that doesn’t really fit into any of that.

Like the gas station.

There’s this weird, almost cinematic moment where you’re just standing there as an Uber driver and suddenly you’re in someone else’s story. One guy hit on me twice—once inside the store and then again outside, like he was really going for it.

Finally he asked, “You got a man?”

And I said to him, “Yeah—he’s really great.”

Which wasn’t true.
But it was easier than explaining anything real.

And it all kind of sits next to each other—the adrenaline, the stories, the choices, the little moments where you decide what to say and who to be.

Sometimes it’s about surviving something big.
Sometimes it’s about choosing a future.
And sometimes it’s just standing in a gas station, answering a question in a way that lets you move on.

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